Kingston, New York
BUILT II: ARCHITECTURE IN ART
|I was delighted to show again at LOCKWOOD GALLERY with a stellar group of artists/architects. The show, BUILT II, highlighted the connection between architecture and art and featured some of my architectural work including my silicone rubber structures.|
I am delighted to be part of this vibrant group show in Kingston, New York—on view to January 24, 2021! https://www.thelockwoodgallery.com/current-exhibition. Following social distancing guidelines, telephone 845-663-2138 to schedule a viewing.
I am excited to contribute work to this summer-long show which opened on Friday in Bolton Landing, NY —
Landscapes Lost and Found: Two Centuries of Art from Bolton Landing opens at the Bolton Historical Museum on May 25 and will remain on view through Columbus Day.
Artists represented include painters of some of the earliest American landscapes, members of the Hudson River School and the American Pre-Raphaelite movement and twentieth century modernists such as David Smith, Dorothy Dehner and John Graham. Prominent 21st century artists will complete the show.
Works by David Smith include six landscapes of Bolton Landing painted in the 1930s, which have never been exhibited before.
An auxiliary show, Sculptors’ Studies from the Prospect Mountain Show, which includes drawings and other materials related to the 1979 outdoor Prospect Mountain Sculpture Show: An Homage to David Smith, is installed in an adjacent gallery.
An opening reception will be held on Friday, May 24 from 5 to 7 pm.
The Bolton Historical Museum is located at 4924 Lakeshore Drive, Bolton Landing.
COURTHOUSE GALLERY, LAKE GEORGE, NY
Adaptations to Extremes
January 19 – February 22, 2019.
*Please note: Due to Winter Storm “Harper”, These events have been rescheduled:
Reception at Courthouse Gallery: Rescheduled for February 2nd, 4 – 6 PM.
Panel Talk at Bolton Historical Museum, Rescheduled for February 3rd, 3 PM.
Both events are FREE and open to the public.
The Lake George Arts Project’s Courthouse Gallery presents “Adaptations to Extremes,” an Art/Science collaboration. The exhibition is co-curated by Laura Von Rosk and scientists Dr. Joan Bernhard and Dr. Sam Bowser; artists include Elizabeth Albert, JoAnn Axford, Terry Conrad, Josh Dorman, Susan Heideman, Eva Henderson, Charlene Leary, Deanna Lee, Corwin Levi, Marilyn McCabe, Joy Muller-McCoola, Jeanne Noordsy, Shaun O’Boyle,Victoria Palermo, Rebecca Smith, and Kathleen Thum.
The artists reception takes place on Saturday, February 2nd, from 4 – 6 PM. In addition to the exhibition at the Courthouse Gallery there will be a panel discussion on February 3rd, 3 PM, at the Bolton Historical Museum in Bolton Landing, NY, with writer Michael Coffey serving as moderator. A number of participating artists will join curator Laura Von Rosk and scientists Joan Bernhard and Sam Bowser to discuss the importance of Joan’s research, as well as the challenges and insights resulting from this year-long art/science dialogue, and their endeavors in artistic creations and interdisciplinary connections. Both events are FREE and open to the public.
A major theme in the biological sciences is the way in which organisms adapt to environmental extremes. The Santa Barbara Basin is a bowl-shaped geological formation off the coast of Santa Barbara, California. Limited movement of water in this depression has created an environment severely depleted of oxygen. In such a place it would be surprising to find organisms that need oxygen to live, yet scientists have documented the existence of foraminifera, a type of single-celled organism, living there in abundance. How have foraminifera adapted to an oxygen-deprived environment? For that matter, how do any organisms respond to living in such extreme environments? These questions fuel the research of Dr. Joan Bernhard, from Woods Hole Oceanographic Institute, and her colleagues in their study of this natural “dead zone” in the ocean. The exhibition “Adaptations to Extremes” presents work by a group of artists engaged with the scientists involved in this research, as well as samples of their communications over the course of this ongoing project.
One group of artists explored the theme specifically using the “optics” of Dr. Bernhard’s research. These artists made new work based on correspondence with Dr. Bernhard and her colleague Sam Bowser, scientific advisor to the exhibition. They were offered access to technical reports, photographs, and the researchers’ hypotheses. One artist, Terry Conrad, was invited to accompany and assist Dr. Bernhard’s crew last spring aboard the Scripps Institution of Oceanography’s Robert Gordon Sproul research vessel as they sampled the sea floor in the Santa Barbara Basin.
A second group of artists — selected for the exhibition because of their interest in the biological or marine sciences – had already produced original works germane to the broad theme of adaptation.
Dr. Bowser engaged with all the artists by questioning them on their artworks using the scientific method of hypothesis testing. The resulting dialogues in both groups – artists responding to scientific research, and scientists responding to artworks – were often surprising, sometimes amusing, and always thoughtful and fascinating.
What informs both the work of science and art is a spirit of inquiry and imagination. Equally, both disciplines must embrace their sometimes perplexing results — and then dive in and ponder further.
This exhibition is funded in part by the Alfred Z. Solomon Charitable Trust; Adirondack Studios; the Community Exchange Foundation; Mannix Marketing; the New York State Council on The Arts with the support of Governor Andrew Cuomo and the New York State Legislature; Woods Hole Oceanographic Institute; and the National Science Foundation. The Courthouse Gallery is located at the side entrance of the Old County Courthouse, corner of Canada and Lower Amherst Streets, Lake George, NY. The Courthouse Gallery hours duringexhibitions are Tuesday through Friday 12 – 5 PM, Saturday 12 – 4 PM, and all other times by appointment.